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    <title>DSpace Общество:</title>
    <link>http://dspace.pnpu.edu.ua/handle/123456789/3803</link>
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    <pubDate>Mon, 13 Apr 2026 15:19:37 GMT</pubDate>
    <dc:date>2026-04-13T15:19:37Z</dc:date>
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      <title>Discussing Japanese School Uniforms from Gender Perspective</title>
      <link>http://dspace.pnpu.edu.ua/handle/123456789/25199</link>
      <description>Название: Discussing Japanese School Uniforms from Gender Perspective
Авторы: Nakaigawa, Yu.
Краткий осмотр (реферат): In this paper I would like to focus on Japanese gender-free school uniforms and problems associated with this issue. Firstly, I would like to introduce some information regarding Japanese school uniforms.&#xD;
The basic style of school uniform, stand-up collar uniform for male students emerged in 1879. With regard to female school uniforms at that time, they were worn as a Hakama at first. Then, sailor type school uniforms started to be popular among schoolgirls from around the 1920’s. Around the 1960’s, blazer style uniforms appeared along with student movements.&#xD;
This type of uniform was is adopted by many schools from around the 1980’s. Since the 1990’s, school uniforms have become more and more fashionable. More recently, there are variety of different styles of uniforms which have become popular (Kankoo, 2021).&#xD;
From this history, I would like to focus on gender free type school uniforms. Uniforms introduced in many Japanese schools used to be slacks for boys and skirts for girls. But in recent years, more and more schools are allowing girls to choose slacks. On the other hand, not many schools have allowed boys to choose skirts. While outside of school, gender-neutral clothing is common, in a school environment it is not. I believe that skirts for boys should be allowed as well. In this presentation, I will discuss some reasons for such differences and consider how Japanese schools and society should recognize the diversity of gender. My question is that why a skirt type of school uniform for male student is not widespread.
Описание: Nakaigawa Yu. Discussing Japanese School Uniforms from Gender Perspective. Perspectives of Comparative World Literature and Cultural Studies: Collection of research papers by students and PhD students of Saitama University (Japan), Poltava V.G. Korolenko National Pedagogical University (Ukraine) and Ivan Franko National University of Lviv (Ukraine) / Ed. by Susumu Nonaka, Olga Nikolenko, Lidiia Matsevko-Bekerska, Kateryna Nikolenko. Vol. IV. Kyiv: Publishing Centre “Akademia,” 2024. P. 64-67.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
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      <dc:date>2024-01-01T00:00:00Z</dc:date>
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      <title>Ukrainian Christmas: Literary Reflections on Tradition and Modernity</title>
      <link>http://dspace.pnpu.edu.ua/handle/123456789/25198</link>
      <description>Название: Ukrainian Christmas: Literary Reflections on Tradition and Modernity
Авторы: Kosana, E.; Boikiv, M.; Apetyk, Yu.
Краткий осмотр (реферат): Christmas celebration in Ukraine is associated with various religious and cultural traditions. Our ancestors followed numerous authentic customs, and many of them have survived to this day.&#xD;
The first things that comes to one’s mind at the mention of a traditional Ukrainian Christmas is Vertep. During the Christmas season, groups of performers, often dressed in traditional costumes, move from house to house or perform in public spaces, presenting short plays or scenes that depict the Nativity story, as well as various folk tales and comedic sketches. Basically, the vertep typically includes a variety of characters, such as angels, shepherds, the Holy Family, and sometimes even fictional characters or animals. It must be noted that atheistic Soviet state severely persecuted religion and the associated elements of culture, and by 1930s the tradition of Christmas verteps was virtually eliminated.
Описание: Kosana E., Boikiv M., Apetyk Yu. Ukrainian Christmas: Literary Reflections on Tradition and Modernity. Perspectives of Comparative World Literature and Cultural Studies: Collection of research papers by students and PhD students of Saitama University (Japan), Poltava V.G. Korolenko National Pedagogical University (Ukraine) and Ivan Franko National University of Lviv (Ukraine) / Ed. by Susumu Nonaka, Olga Nikolenko, Lidiia Matsevko-Bekerska, Kateryna Nikolenko. Vol. IV. Kyiv: Publishing Centre “Akademia,” 2024. P. 59-63.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://dspace.pnpu.edu.ua/handle/123456789/25198</guid>
      <dc:date>2024-01-01T00:00:00Z</dc:date>
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      <title>Ukrainian Embroidery as a Cultural Code of the Nation</title>
      <link>http://dspace.pnpu.edu.ua/handle/123456789/25197</link>
      <description>Название: Ukrainian Embroidery as a Cultural Code of the Nation
Авторы: Pavlenko, A.; Zheleznyak, K.
Краткий осмотр (реферат): Ukrainian embroidery is a pearl of folk culture, a landmark of the Ukrainian people and a true cultural code that holds the traditions of our ancestors, beautiful ornaments and harmonious colour combinations. Vyshyvanka is a symbol and an important component of Ukrainian traditional clothing. “The code of the nation” is what Ukrainian vyshyvanka is called. And these are not just beautiful words. Depending on the historical region of Ukraine, the details and themes of the embroidery ornament differ. And in the early 20th century, when Ukrainian nation began to fight for its political rights, embroidery was used in patriotic and religious clothes as a symbol of Ukrainian identity.
Описание: Pavlenko A., Zheleznyak K. Ukrainian Embroidery as a Cultural Code of the Nation. Perspectives of Comparative World Literature and Cultural Studies: Collection of research papers by students and PhD students of Saitama University (Japan), Poltava V.G. Korolenko National Pedagogical University (Ukraine) and Ivan Franko National University of Lviv (Ukraine) / Ed. by Susumu Nonaka, Olga Nikolenko, Lidiia Matsevko-Bekerska, Kateryna Nikolenko. Vol. IV. Kyiv: Publishing Centre “Akademia,” 2024. P. 54-58.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://dspace.pnpu.edu.ua/handle/123456789/25197</guid>
      <dc:date>2024-01-01T00:00:00Z</dc:date>
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      <title>The Past and Future of Ukraine through the Prism of Literature</title>
      <link>http://dspace.pnpu.edu.ua/handle/123456789/25196</link>
      <description>Название: The Past and Future of Ukraine through the Prism of Literature
Авторы: Lutsiv, Ch.; Aladyskina, A.; Yaremchuk, A.
Краткий осмотр (реферат): Literature is an essential part of the culture of every nation that exists, existed, and will exist on Earth. In the works of the past, we immerse ourselves in the reality of writers who had already left this world, we explore their emotions and world-views, while contemporary authors describe the life around them and the hopes they see for the future. The rich collection of Ukrainian masterpieces serves as a trustworthy prism through which we can explore the sophisticated interconnection between the past, present, and future of Ukraine.
Описание: Lutsiv Ch., Aladyskina A., Yaremchuk A. The Past and Future of Ukraine through the Prism of Literature. Perspectives of Comparative World Literature and Cultural Studies: Collection of research papers by students and PhD students of Saitama University (Japan), Poltava V.G. Korolenko National Pedagogical University (Ukraine) and Ivan Franko National University of Lviv (Ukraine) / Ed. by Susumu Nonaka, Olga Nikolenko, Lidiia Matsevko-Bekerska, Kateryna Nikolenko. Vol. IV. Kyiv: Publishing Centre “Akademia,” 2024. P. 51-53.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://dspace.pnpu.edu.ua/handle/123456789/25196</guid>
      <dc:date>2024-01-01T00:00:00Z</dc:date>
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